Difference between revisions of "Gote takatekote"
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| − | + | [https://smpedia.com/index.php?title=後手高手小手 後手高手小手] (Japanese) | |
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| + | The ''[[gote takatekote]]'' is one of the principal tying techniques in modern Japanese kinbaku. It has many alternative names including ''takatekote'' (高手小手) and ''gote shibari'' (後手縛り). It also has more than one way to read the name, for example: ''gote takatekote'', ''ushirote takatekote'' and ''ushirode takatekote''. | ||
| + | [[image:Gotetakatekote.jpg|200px|thumb|Gote takatekote]] | ||
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| + | ==Alternative "Readings"== | ||
| + | *Gote takatekote | ||
| + | *Gote takategote | ||
| + | *Ushirode takatekote | ||
| + | *Ushirode takategote | ||
| + | *Ushirote takatekote | ||
| + | *Ushirote takategote | ||
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==Alternative names== | ==Alternative names== | ||
| − | Box tie | + | *Box tie (English) |
| − | Chest harness | + | *Chest harness (English) |
| − | Gote | + | *Gote munenawa shibari (後手胸縄縛り) |
| − | Takatekote (高手小手) | + | *Gote shibari (後手縛り) |
| − | Ushiro | + | *Kotetaka (小手高) |
| − | Ushiro | + | *Munenawa (胸縄) |
| − | Ushiro | + | *Takakote (高小手) |
| − | Ushirote | + | *Takatekote (高手小手) |
| − | Ushiro | + | *Takatekote shibari (高手小手縛り) |
| − | Ushirode | + | *Ushiro takatekote (後高手小手) |
| − | + | *Ushiro takatekote (後ろ高手小手) | |
| − | + | *Ushiro takatekote Shibari (後高手小手縛り) | |
| − | + | *Ushirote takatekote (後ろ手高手小手) | |
| − | + | *Ushiro kote shibari (後小手縛り) | |
| + | *Ushirode shibari or ushirote shibari (後ろ手縛り) | ||
==Analyses== | ==Analyses== | ||
| + | [[image:Gotetakatekote2.jpg|200px|thumb|''On the Beauty of Kinbaku in Gote Takatekote''. Kitan Club. Apr 1953]] | ||
| + | <div style="text-align: justify;”> | ||
| + | '''Gote''' indicates that the wrists are tied behind the back. '''Takate''' is an old word referring to the area of the upper arm. This word can also be understood to represent a high position of the arms. '''Kote''' means ''wrist''. | ||
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| + | '''USAGE 1''': Bondage that positions the wrists behind the back and rope is wrapped above and below the breasts where upper arms are fixed (see figure). The wrists are not necessarily in a high position. | ||
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| + | '''USAGE 2''': When '''takate''' is interpreted as a high position, the wrists must be in a high position. In this case, [[gote shibari]] (or [[ushirote shibari]]) is used to represent the state in which the wrists are not in a high position. | ||
| + | |||
| + | '''USAGE 3''': Bondage that positions the wrists on the back, and the rope from the wrists is wrapped diagonally over the shoulders to form an "X" shape on the chest. The hands in this usage are often lifted into a high position. | ||
| + | |||
| + | '''USAGE 4''': For most tying in [[hojojutsu]], '''takate''', '''kote''' and '''neck''' are key positions that must be tied. In this sense, they can belong to [[gote takatekote]] (see for instance, [http://nawa-art.com/backnumber/1950/195304/01/006.html Tsujimura's early shibari]). They don't necessarily contain chest harness ropes. However, it is not clear whether the term "gote takatekote" existed in ancient times or not (probably not). It could be a new word invented in the 1950s to the 1970s. The word "takatekote" can be seen (at least) in writing in 1923, but it is not known whether it represents [[hojojutsu]] style or modern style. Modern style shibari with chest harness appeared in artwork in 1888 (Meiji era). It is highly possible that people at that time practiced a modern style [[gote takatekote]] in kabuki plays but it is not clear what it was called. Police in the Edo period (1603-1868) didn't use a chest harness (with limited exemptions). | ||
| + | </div> | ||
| + | |||
==Gote Takatekote in magazines== | ==Gote Takatekote in magazines== | ||
| − | *[[Takashi Tsujimura]]・[[Tetsuzo Tsukamoto]], "On the | + | [[image:Gotetakatekote3.jpg|200px|thumb|''[[Chimuo Nureki]]'s How-to-tie Classroom 2: One Rope Takatekote.'' (Shosetsu SM Select, 1985)]] |
| + | *[[Takashi Tsujimura]]・[[Tetsuzo Tsukamoto]], "On the Beauty of Kinbaku in Gote Takatekote", [[Kitan Club]]1953.4, [http://nawa-art.com/backnumber/1950/195304/01/006.html Article] | ||
*[[Koji Sugihara]], "Takatekote", [[Kitan Club]]1954.4, [http://nawa-art.com/backnumber/1950/195404/01/011.html Photo] | *[[Koji Sugihara]], "Takatekote", [[Kitan Club]]1954.4, [http://nawa-art.com/backnumber/1950/195404/01/011.html Photo] | ||
| − | *[[Tetsuzo Tsukamoto]], "How to | + | *[[Tetsuzo Tsukamoto]], "How to Take Kinbaku Pictures: Examples of [[Gote Takatekote]]", [[Kitan Club]]1961年.9, [http://nawa-art.com/backnumber/1960/196109/01/046.html Article] |
| − | *[[Tetsuzo Tsukamoto]],『"How to | + | *[[Tetsuzo Tsukamoto]],『"How to Take Kinbaku Pictures: Examples of Kubinawa and Goteshibari", [[Kitan Club]]1962.4, [http://nawa-art.com/backnumber/1960/196204/01/030.html Article] |
| − | *Unknown, "Gote Takatekote with | + | *Unknown, "Gote Takatekote with Black Nawa and a Bar", [[Kitan Club]]1964.2, [http://nawa-art.com/backnumber/1960/196402/01/009.html Photo] |
==Gote Takatekote in art works== | ==Gote Takatekote in art works== | ||
*1888, [http://smpedia.com/index.php?title=ファイル:Eitakukobayashi.jpg Eitaku Kobayashi]. | *1888, [http://smpedia.com/index.php?title=ファイル:Eitakukobayashi.jpg Eitaku Kobayashi]. | ||
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*1948, [http://smpedia.com/index.php?title=ファイル:Kazuyanaka.jpg Kazuya Naka] | *1948, [http://smpedia.com/index.php?title=ファイル:Kazuyanaka.jpg Kazuya Naka] | ||
*1950, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Suma50.jpg work] in [[Kitan Club]] July. | *1950, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Suma50.jpg work] in [[Kitan Club]] July. | ||
| − | * | + | *1951, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Ashimizusaigo.jpg work] in [[Kitan Club]] February. |
| − | + | *1952, [http://smpedia.com/index.php?title=ファイル:Tatsumishimura.jpg Tatsumi Shimura] | |
| − | * | + | *1952, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Suma33.jpg work] in [[Kitan Club]] July. |
| − | * | + | *1952, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Suma37.jpg work] in [[Kitan Club]] September. |
| − | * | + | *1953, [http://smpedia.com/index.php?title=ファイル:Kentaroutominaga.jpg Kentaro Tominaga] |
| − | * | + | *1953, [[Toshiyuki Suma]]'s [http://smpedia.com/index.php?title=ファイル:Suma40.jpg work] in [[Kitan Club]] March. |
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| + | ==Gote Takatekote in novels== | ||
| + | * 1923. The word ''takatekote'' appeared in the [http://dl.ndl.go.jp/view/jpegOutput?itemId=info%3Andljp%2Fpid%2F908193&contentNo=21&outputScale=1 writing] of Yoshikazu Manabe. | ||
| + | * 1950. The phrase ''bound in takatekote with straw rope'' appears in [[Seiu Ito]]'s ''Torment Research''. | ||
{{DEFAULTSORT:Gote Takatekote}} | {{DEFAULTSORT:Gote Takatekote}} | ||
| − | [[Category: | + | [[Category:Kinbaku Glossary]] |
[[Category:index]] | [[Category:index]] | ||
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Latest revision as of 21:34, 8 May 2021
後手高手小手 (Japanese)
The gote takatekote is one of the principal tying techniques in modern Japanese kinbaku. It has many alternative names including takatekote (高手小手) and gote shibari (後手縛り). It also has more than one way to read the name, for example: gote takatekote, ushirote takatekote and ushirode takatekote.
Alternative "Readings"
- Gote takatekote
- Gote takategote
- Ushirode takatekote
- Ushirode takategote
- Ushirote takatekote
- Ushirote takategote
Alternative names
- Box tie (English)
- Chest harness (English)
- Gote munenawa shibari (後手胸縄縛り)
- Gote shibari (後手縛り)
- Kotetaka (小手高)
- Munenawa (胸縄)
- Takakote (高小手)
- Takatekote (高手小手)
- Takatekote shibari (高手小手縛り)
- Ushiro takatekote (後高手小手)
- Ushiro takatekote (後ろ高手小手)
- Ushiro takatekote Shibari (後高手小手縛り)
- Ushirote takatekote (後ろ手高手小手)
- Ushiro kote shibari (後小手縛り)
- Ushirode shibari or ushirote shibari (後ろ手縛り)
Analyses
Gote indicates that the wrists are tied behind the back. Takate is an old word referring to the area of the upper arm. This word can also be understood to represent a high position of the arms. Kote means wrist.
USAGE 1: Bondage that positions the wrists behind the back and rope is wrapped above and below the breasts where upper arms are fixed (see figure). The wrists are not necessarily in a high position.
USAGE 2: When takate is interpreted as a high position, the wrists must be in a high position. In this case, gote shibari (or ushirote shibari) is used to represent the state in which the wrists are not in a high position.
USAGE 3: Bondage that positions the wrists on the back, and the rope from the wrists is wrapped diagonally over the shoulders to form an "X" shape on the chest. The hands in this usage are often lifted into a high position.
USAGE 4: For most tying in hojojutsu, takate, kote and neck are key positions that must be tied. In this sense, they can belong to gote takatekote (see for instance, Tsujimura's early shibari). They don't necessarily contain chest harness ropes. However, it is not clear whether the term "gote takatekote" existed in ancient times or not (probably not). It could be a new word invented in the 1950s to the 1970s. The word "takatekote" can be seen (at least) in writing in 1923, but it is not known whether it represents hojojutsu style or modern style. Modern style shibari with chest harness appeared in artwork in 1888 (Meiji era). It is highly possible that people at that time practiced a modern style gote takatekote in kabuki plays but it is not clear what it was called. Police in the Edo period (1603-1868) didn't use a chest harness (with limited exemptions).
Gote Takatekote in magazines
Chimuo Nureki's How-to-tie Classroom 2: One Rope Takatekote. (Shosetsu SM Select, 1985)
- Takashi Tsujimura・Tetsuzo Tsukamoto, "On the Beauty of Kinbaku in Gote Takatekote", Kitan Club1953.4, Article
- Koji Sugihara, "Takatekote", Kitan Club1954.4, Photo
- Tetsuzo Tsukamoto, "How to Take Kinbaku Pictures: Examples of Gote Takatekote", Kitan Club1961年.9, Article
- Tetsuzo Tsukamoto,『"How to Take Kinbaku Pictures: Examples of Kubinawa and Goteshibari", Kitan Club1962.4, Article
- Unknown, "Gote Takatekote with Black Nawa and a Bar", Kitan Club1964.2, Photo
Gote Takatekote in art works
- 1888, Eitaku Kobayashi.
- 1924, Sengai Igawa
- 1947, Sentaro Iwata
- 1948, Kazuya Naka
- 1950, Toshiyuki Suma's work in Kitan Club July.
- 1951, Toshiyuki Suma's work in Kitan Club February.
- 1952, Tatsumi Shimura
- 1952, Toshiyuki Suma's work in Kitan Club July.
- 1952, Toshiyuki Suma's work in Kitan Club September.
- 1953, Kentaro Tominaga
- 1953, Toshiyuki Suma's work in Kitan Club March.
